8 / 10 Until the Quiet Comes by Flying Lotus Genre: Electronic Stephen Ellis aka Flying Lotus has a knack for complex production that packs in a lot of ideas and idioms. Over the course of his career, he has packed worlds of electro-IDM, J Dilla-isms, Jazz Fusion and avant-garde chamber into his music. His previous release Cosmogramma is an incredible score that blends all of those ideas into a continuous flow. But compared to the maximal and dense Cosmogramma, Ellis’s new record Until the Quiet Comes hits more, well, quiet. Until the Quiet Comes is a more constrained effort of Flying Lotus but still empowering.

Opposed to manic percussion and holy strings flashing throughout, Flying Lotus lets sounds manifest organically while giving out a hum of an electronic pulse. But this record should not be mistaken as minimal or ambient. Many ideas are condensed in these tracks and given a lot more room to breathe. Take “Getting There” that refreshes with cosmic string work with stomp of a breakbeat that echoes his previous work. Or the more tangible “Putty Boy Strut” naturally flows childish synth-bits, club claps, and jazz-fusion bass noodling, all summed with the dramatic string coda. All of his signature ideas are present, existing calmly in a meditative state. Until the Quiet Comes expands the complex electronica of Flying Lotus fluidly into a bigger, spiritual realm.

*Check out: “Getting There”

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5 / 10